Hi, since a few versions I keep getting viewports that turn white some times while working. When focussing on a different viewport is comes back, but when I start working in the bugging viewport it comes back immediately. Running the latest Yosemite. Restarting Rhino sometimes ‘cures’ the problem. What is The Viewport? The viewport is the user's visible area of a web page. The viewport varies with the device, and will be smaller on a mobile phone than on a computer screen. Viewport without border. Aug 6, 2018 - But also have been very interested in the GRP A4, as well as a 2600 (either. But since you're asking, I'd buy a Synth-Werk Modular. A little harder to interface with other MIDI-CV gear since it really requires a. 2 x osc sync, built in overdrive, and the complex sequencer that can be used as an LFO. Oct 13, 2018 New Track made with: Bass: GRP-A4 Lead: Cwejman S1+ VCO 2RM in 6 voices with the SSP sequenced by the SEQ from Polyend Effect: Percussa SSP ADSR: Percussa SSP Sequencer for the plucks. Synthesizer Music Music Keyboard Audio Sound Drum Machine Music Production Electronic Music Music Instruments Recording Equipment Space Age Forward Synthesizer website dedicated to everything synth, eurorack, modular, electronic music, and more. The Grp Synthesizer was developed to offer the enthusiasts of analogical sound a more affordable synth in terms of price and dimension in comparison with the precursor model A8, without renouncing to the quality and performance that characterize our synths. Being featured with the same step sequencer used for the Grp A8, this synth is able to guarantee nearly infinite sound combinations due to the new characteristics which have been implemented in the instrument, with the possibility to filter out external signals and to manage all the important parameters of the analogical generation chain. The A4 has been derived from an audio section of the Grp A8 (of which it takes over the structure) and it results more versatile and eclectic passing from smooth and extreme clean sonorities to harder sounds thanks to the two distortion installed in the synth (one for each filter) and due to the possibility to make interact synth, ring modulator, external signals and step sequencer in only on mechanism with an immense sonority power. Furthermore, the Loop EG function enables the conditioned and unconditioned repetition of the envelope, in order to reach particular and temporal articulated sonorities. Specifiche Tecniche Voltage Controlled Oscillator 1, 2, 3 Wide audio range (64’-2’) w. Tune & Fine; six analog waveforms (sine, triangle, triangle & saw, saw, saw & variable pulse summed, variable pulse); manual pw & pwm (from VCLFO1, EG1, S&H, Aft); FM 1 Amt (lin/exp –from VCLFO1, LFO2, VCO1, 2, 3, Noise, S&H, EG1, EG2, Aft, ModW, KeyVel, EnvFoll) w. Phase rev; FM 2 Amt (only exp – from VCLFO1, Env Foll); sub oscillator (on VCO 1, 2) -1/-2 oct; hard sync (VCO 1 master); kybd on/off (w. User’s selectable octave offset from MIDI Interface). Ring Modulator Ring Mod Sources: VCO 2 & VCO 3/Ext Input (user’s selectable). Noise Generator White & Pink Noise selectable. External Input Input gain from line to mic level; freely adjustable Gate Threshold (Gate to EG 1-2); enclosed envelope follower (goes into mod buss). Audio Mixer Separate level controls for VCO 1, 2, 3, Sub 1, 2, Ext Input, Ring Mod, Noise. Filter Section Dual analog filter section: 24 db/Oct Low Pass Transistor Ladder Filter w. Pole selection & 12 dB/Oct State Variable Low, Band, High, Notch Filter. Each filter has a separate Distortion/Level control. Filter section can be configured in LP 24 Only, SV 12Only, Serial (LP into SV), Parallel, Direct Out (LP 24 goes on Left Audio Out, SV 12 goes on Right Audio Out). Still quite complex with about 100 knobs, and more switches than i care to count. And that zaney step sequencer. The GRP A8 had a run of 22 units. This one is going to be 35 units - out of which 28 are already booked. Be sure not to miss the boat on this one. And the amazing specs are: Grp A4 in details Voltage Controlled Oscillator 1, 2, 3. ![]() Low Pass Filter: Slope selection (6, 12, 18, 24 dB); Cutoff Frequency; Resonance; Overload LED; FM1 Amt (from VCLFO1, LFO2, VCO 1, 2, 3 Env Foll, Noise, S&H, EG2, Aft, ModW, KeyVel) w, phase rev.; FM 2 Amt (from VCLFO 1); FM 3 Amt (from Step Sequencer, Kybd Track 0-120%; Key Vel On/Off. State Variable Filter: Mode (12dB HP, 6 dB BP, 12 dB LP, 6 dB Notch); Cutoff Frequency; Resonance; Overload LED; FM1 Amt (from VCLFO1, LFO2, VCO 1, 2, 3 Env Foll, Noise, S&H, EG2, Aft, ModW, KeyVel) w, phase rev.; FM 2 Amt (from VCLFO 1); FM 3 Amt (from Step Sequencer, Kybd Track 0-120%; Key Vel On/Off. Voltage Controlled Amplifier Dedicaded Envelope Generator (see below); Control Selection (dedicated EG2, ON-hold, External CV); VCLFO1 Amt. AutoPan AutoPan Off/Internal Clock/VCLFO1; Pan Frequency Control; LED (red = internal clock; blue = VCLFO1). Stereo Main Master Volume. Envelope Generator 1 Multi Stage Loopable Env (Attack, Hold, Decay, Sustain Lev, Sustain Time-Only in Loop On, Release); Gate Source Selection (Keyboard, S&H, ExtIn/ Step Seq); independent EG Amt for 24 dB LP Filter and 12 dB State Variable Filter, both w. User’s selectable EG polarity.
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